(1) Ahab in Love. The Creative Reception of Moby-Dick in Popular Culture. (Habilitationsschrift TU Dortmund, 2017; in preparation for publication)

(2) Poetry Goes Intermedia: US-amerikanische Lyrik des 20. und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive. Francke Verlag, 2010.

(3) Sounds of Poetry: Contemporary American Performance Poets. Narr Verlag, 2003.

Edited Books:

(1) Pott Meets Poetry. Hrsg. Minu Hedayati-Aliabadi und Martina Pfeiler. Lektora Verlag 2014.

Series Co-Editor:

(1) Transnational and Transatlantic American Studies. LIT Verlag Münster (Reihe)

Hrsg. Walter Grünzweig, Randi Gunzenhäuser, Kornelia Freitag, Martina Pfeiler, Wielfried Raussert, Michael Wala.

Articles in Books:

(1) “Symposium. Melville and Popular Culture.” A Companion to Herman Melville. Wiley-Blackwell. Eds. Wyn Kelley and Christopher Ohge. (in preparation)

(2) “Performance Poetry/Slam Poetry”. DeGruyter Handbook. Literatur und Performance. Hg. Lucia Ruprecht und Bettina Brandl-Ris. (in preparation)

(3) “’Sonic Revolutionaries’: Selfreflexivity, Intermediality and Cultural Specificity in Saul Williams’ Poetry.” Essays in Modern British and Irish Poetry. Vol. 6. Eds. Wolfgang Görtschacher and David Malcolm. Gdansk: University of Gdansk Press, 2016. 151-167.

(4) “Jamaica Osorio’s Kumulipo at the White House: Cultural Memory in Slam Poetry.” Recovery and Transgression: Memory in American Poetry. Ed. by Kornelia Freitag. Cambridge: Cambridge Scholars Publishing, 2015. 249-264.

(5) “Teaching and Learning from Slam Poetry.” Teaching Modern and Contemporary Poetry. Eds. Kornelia Freitag and Brian Reed. Berlin: Winter Verlag, 2013. 195-210.

(6) “Remediating The Making of Americans: A Twenty-First-Century U.S.-American Poetry Film in the Context of Twentieth and Twenty-first Centuries U.S. Poetries and New Media.” States of the Art: Considering Poetry Today Klaus Martens and Rami Djahazi, Hg. Würzburg: Königshausen & Neumann, 2009. 102-112.

(7) “Riding the Meridian: TRANS(national)ARTS in The Progressive Dinner Party.” Another Language – Poetic Experiments in Britain and North America. Kornelia Freitag and Katharina Vester, eds. Münster: LIT Verlag, 2008. 211-224.

(8) “Allen Ginsberg and Eric Drooker: Illuminated Poems as a Site of Visual, Literary and Cultural Contestation.” Literatura, Artes, Saberes. Sandra Nitrini, et al. São Paulo: ABRALIC, 2007. 1-10.

Articels in Journals:

(1) „Ulrich Steindorff’s Dämon des Meeres (1931) as Transcultural Creative Reception; Or, a Warner Bros. Émigré Adaptation of Moby-Dick is Coming ‘Home’ to Berlin. Literature/Film Quarterly. Eds. Wilfried Schwanebeck und Ian Robert Smith. (in preparation for publication)

(2) „The Red Chador & 1700% Project: Mistaken for Muslim Intermedia Interplay and Challenging Islamophobia in Anida Yoeu Ali’s Performance Art.“ Eds. Elena Furlanetto und Frank Mehring. European Journal of American Studies. (in preparation for publication)

(3) „Beat Vision. Stimme, Ton und Voice-Over im Poetryfilm als subversive Medien.” Poetryfilm Magazin. Ausgabe Nummer 2. Hrsg. Aline Helmcke und Guido Naschert. Literarische Gesellschaft Thüringen e. V. und Bauhaus Universität. Weimar: Gato&Mono Design OHG, Januar 2016. 16-19.

(4) “Poetry Films: Cultural Resistance and Creative Reinvention,” Poetryfilm Magazin. Ausgabe Nummer 1. hrsg. von Aline Helmcke und Guido Naschert. Literarische Gesellschaft Thüringen e. V. und Bauhaus Universität. Weimar: Gato&Mono Design OHG, Januar 2016. 23.

(5) “Hunting Moby Dick in a Global Context as Exemplified by the Teaching of Moby-Dick in the University Classroom.” Leviathan. A Journal of Melville Studies. Johns Hopkins University Press, U.S.A. Vol. 15. Nr. 3. 2013. 81-89.

(6) “‘Between Man and Place’: insegnare Moby-Dick ne contest della globalizzazione.” Giorgio Mariani e Sonia Di Loreto (a cura di), Glocal Melville, numero monografico di Ácoma. Rivista internazionale di studi nordamericani, Nuova Serie, N. 2, 2012. 25-38.

Reviews (a selection)

(1) “Scheiding, Oliver, René Dietrich, Clemens Spahr. A History of American Poetry. Contexts-Developments-Readings“. Anglistik 30, 3 (2018). 76-77.

(2) “Justin Hocking The Great Floodgates of the Wonderworld: A Memoir” Minneapolis: Graywolf Press, 2014. 266 pp. Shawn Pfautsch Season on the Line: An Epic Love Letter to the American Theater Leipzig: Sordelet Ink, 2014. 214 pp.” Leviathan. A Journal of Melville Studies. Vol. 20, Number 1, March 2018. 61-66.

(3) “Birgit M. Bauridl, Between, betwixt, or beyond? Negotiating ‘Trans’formations from the Liminal Space of Contemporary Black Performance Poetry, Heidelberg: Winter, 2013.” Anglistik 26, 1 (2015), 176-178.

(4) “Melvilleans and Whitmanians in Washington, DC” Leviathan. A Journal of Melville Studies. Ed. Sam Otter. Baltimore: Johns Hopkins University Press- Vol. 16. Nr. 1. March 2014. 157-159.

(5) “Ansgar Nünning, Vera Nünning and Birgit Neuman (ed.) Cultural Ways of Worldmaking: Media and Narratives. New York: De Gruyter, 2010.” Anglia 129, 3-4 (2011), 570-576.

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